Tuesday, May 05, 2009
At Ringwood Manor and Forge



I visited an historic house and saw a demonstration of blacksmithing in the 18th and 19th century in New Jersey. The young man demonstrating the steps of the blacksmith’s job was focused on making a wrought iron door knocker -- -- hand forging iron. He operated the bellows from an overhead lever and the resultant infusion of oxygen caused a glow in his furnace -- an open stove with two wells with beds of heated coals. The demonstrator was business like in his “smithing.” He was knowledgeable, steady and competent. He said that with his tools arranged efficiently he could hand forge numerous nails in short order. He would cut them from rods and flatten them. He showed me the thin, circular rods that were stored above across overhead beams. He said that the rods were made at the other part of the forge and parts/lengths would be cut by the blacksmith and shaped and forged. He demonstrated that he could cut the length of the nail, hammer the head flat with one hit and move to the next.


I imagine that the made nails would be swept into a bucket for cooling with one swipe and that there would necessarily come a deep rhythm and that if the smith were set - had set himself a particular, meaningful task that he would develop a deep, angry, throbbing rhythm. There would be little waste of effort.

Posted at 06:34 am by Tourmaline

 

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Tourmaline
Female
New Jersey







 
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stroking onward and upward
swimming for the wall 2009




“Centuries later historians would ridicule as a numbers game attempts to count the millions forced to suffer the trauma of the transatlantic passage. Yet for those who witnessed the murderous raids by Arabs, Europeans, or hostile black Africans upon their communities, for those who were discarded on their march to the African coast, for those who were banned to the hold of the ships, for those whose bodies were cast overboard, for those who made it to the unknown on the other side of the ocean, every single one mattered. For every single woman, every single man represented the difference between life and death, between the "I am" and chattel, between history and the void, between the voice and silence. For every single one defined the whole.”

from Black Imagination and the Middle Passage by Maria Diedrich, Henry Louis Gates, Carl Pedersen


“As you were speaking this morning of little children, I was looking around and thinking it was most beautiful. But I have had children and yet never owned one, no one ever owned one; and of such there's millions -- who goes to teach them? You have teachers for your children but who will teach the poor slave children?
I want to know what has become of the love I ought to have for my children? I did have love for them, but what has become of it? I cannot tell you. I have had two husbands but I never possessed one of my own. I have had five children and never could take one of them up and say, 'My child' or 'My children,' unless it was when no one could see me.
I believe in Jesus, and I was forty years a slave but I did not know how dear to me was my posterity. I was so beclouded and crushed. But how good and wise is God, for if the slaves knowed what their true condition was, it would be more than the mind could bear. While the race is sold of all their rights -- what is there on God's footstool to bring them up? Has not God given to all his creatures the same rights? How could I travel and live and speak? When I had not got something to bear me up, when I've been robbed of all my affections for husband and children.
My mother said when we were sold, we must ask God to make our masters good, and I asked who He was. She told me, He sit up in the sky. When I was sold, I had a severe, hard master, and I was tied up in the barn and whipped. Oh! Till the blood run down the floor and I asked God, why don't you come and relieve me -- if I was you and you'se tied up so, I'd do it for you.”


Sojourner Truth, 1856


This text of her address was recorded by the acting secretary of the Friends of Human Progress Association of Michigan, Thomas Chandler, and published in the Anti-Slavery Bugle





 
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